Gabriel (1839) is a romantic and adventurous play about a woman's struggle for freedom and love. Raised as a Renaissance prince, Gabriel gives up her entitlement and assumes a feminine identity to satisfy the demands of her male lover.
Gabriel (1839) is a romantic and adventurous play about a woman's struggle for freedom and love. Raised as a Renaissance prince, Gabriel gives up her entitlement and assumes a feminine identity to satisfy the demands of her male lover.
Favorini analyzes issues of memory in self-construction, collective memory, the clash of memory and history and even explores what the work of cognitive scientists can teach us about brain function and our response to drama.
In this beautifully written and illustrated book, Charlotte Canning establishes an analytical framework to reveal the Circuit Chautauquas as unique performances that both created and unified small-town America.
This work focuses on Marlowe's works as an index of the major transformation of Elizabethan theatrical practices. In the opening chapter, Cole reviews the unusually intriguing historical record of Marlowe's life outside the theatre.
This work focuses on Marlowe's works as an index of the major transformation of Elizabethan theatrical practices. In the opening chapter, Cole reviews the unusually intriguing historical record of Marlowe's life outside the theatre.
In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre’s origins in ritual and religion but also an alternative theory of roots based on the cultural and ...
Yet little has been done to examine Shakespeare in relation to his acting company. This book casts light on Shakespeare's life in drama and the creation and staging of his plays.